This heart is also depicted in the pine cone shape based on anatomical descriptions of the day (still held "upside down"). Giotto in his 1305 painting in the Scrovegni Chapel ( Padua) shows an allegory of charity (caritas) handing her heart to Jesus Christ. Opinions, therefore, differ over this being the first depiction of a heart as a symbol of romantic love. Thus the heart-shaped object would be a pear the conclusion that a pear represents a heart is dubious. Moreover, the French title of the manuscript that features the miniature translates into "Novel Of The Pear" in English. However, in this miniature, what suggests a heart shape is only the result of a lover's finger superimposed on an object the full shape outline of the object is partly hidden, and, therefore unknown. The heart here resembles a pine cone (held "upside down", the point facing upward), in accord with medieval anatomical descriptions. In the miniature, a kneeling lover (or more precisely, an allegory of the lover's "sweet gaze" or doux regard) offers his heart to a damsel. It occurs in a miniature decorating a capital 'S' in a manuscript of the French Roman de la poire. The first known depiction of a heart as a symbol of romantic love dates to the 1250s. The geometric shape itself is found in much earlier sources, but in such instances does not depict a heart, but typically foliage: in examples from antiquity fig leaves, and in medieval iconography and heraldry, typically the leaves of ivy and of the water-lily. īefore the 14th century, the heart shape was not associated with the meaning of the heart metaphor. With possible early examples or direct predecessors in the 13th to 14th century, the familiar symbol of the heart representing love developed in the 15th century, and became popular in Europe during the 16th. The combination of the heart shape and its use within the heart metaphor was developed in the end of the Middle Ages, although the shape has been used in many ancient epigraphy monuments and texts. The oldest examples of this pattern are seen in some of the Japanese original tsuba (sword guard) of the style called toran gata tsuba (lit., inverted egg shaped tsuba) that were attached to swords from the sixth to seventh centuries, and part of the tsuba was hollowed out in the shape of a heart symbol. The decorations are used to decorate Shinto shrines, Buddhist temples, castles, and weapons. Since ancient times in Japan, the heart symbol has been called Inome (猪目), meaning the eye of a wild boar, and it has the meaning of warding off evil spirits. Silver coins from Cyrene of the 5th–6th century BC bear a similar design, sometimes accompanied by a silphium plant and is understood to represent its seed or fruit. In the 5th–6th century BC, the heart shape was used to represent the heart-shaped fruit of the plant silphium, a plant possibly used as a contraceptive and an aphrodisiac. Peepal leaves were used in artistic depictions of the Indus Valley civilisation: a heart-shaped pendant originating from there has been discovered and is now exhibited in the National Museum of India. It is sometimes accompanied or superseded by the "wounded heart" symbol, depicted as a heart symbol pierced with an arrow or as a heart symbol "broken" into two or more pieces, indicating lovesickness. Represented by an anatomically inaccurate shape, the heart symbol is often used to represent the center of emotion, including affection and love, especially romantic love. The heart symbol is an ideograph used to express the idea of the " heart" in its metaphorical or symbolic sense. surmounted by a cross, pierced by nails or swords, etc.) A typical depiction of the Sacred Heart (often shown with other attributes, e.g.
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